Ride Along review: fragment of friction

March 23, 2014 - box office

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Mar 23, 2014

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Craig Mathieson

Film, song and TV critic

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The ”odd couple” unfolding gets a black perspective.

Ride Along
Click to play video

Reviewer rating:

Rating: 2.5 out of 5 stars

Reader rating:

Rating: 1 out of 5 stars




Running time

100 min


Tim Story

Screen writer

Greg Coolidge, Jason Mantzoukas, Phil Hay, Matt Manfredi


Ice Cube,
Kevin Hart,
Tika Sumpter

OFLC rating






Ride Along
Reviewer’s rating: 5/10
Comedy, rated M, 99 minutes, now showing
Stars: Kevin Hart, Ice Cube, Tika Sumpter, Laurence Fishburne
Director: Tim Story
Verdict: A informed patrolman tract gets by on a antics of dual incompatible stars

Whether it’s a captivate of intrigue or a one-upmanship of comedy, viable chemistry between dual shade stars can atone for many of a movie’s failings. On that basis, a behind and onward between mad stand-up comic Kevin Hart and almighty tough male Ice Cube in a new action-adventure Ride Along is impressive.

The tract might be cliched and a discourse evaporative, though a lunatic attrition between a span keeps a film afloat.

Kevin Hart and Ice Cube in iRide Along/i.

Kevin Hart and Ice Cube in Ride Along.

What a dual thankfully have is disparity: Hart is short, cocky and talks during an irascible clip, while Cube looks down on him with contempt and barks brief rebuffs; a motormouth meets a monotone. The former is Ben Barber, a high propagandize confidence ensure in Atlanta who skeleton to join a military force and stir his girlfriend, Angela Payton (Tika Sumpter). The latter plays her hermit James, a military investigator dismissive of “the small man”.

Ben’s attempts to stir James are gradual by his fear of him, ensuing in a brief – though literally burning – story of amicable mishaps. When James realises that Ben is critical about donning a fraternal blue and will be attending a military academy, he decides to hit divided a annoying interloper by holding him out on unit for a day to display Ben’s noticed inadequacies and shock him off. Would we be repelled to learn that a devise backfires and a dual turn proxy partners?

There is a sizeable strata of African-American filmmaking – both by Hollywood and eccentric placement – that frequency reaches Australia, either it’s a one male (often in drag) studio that is Tyler Perry, hip-hop shabby mafiosi flicks or well-spoken regretful comedies such as Think Like a Man. That film’s 2012 success was partial of Hart’s change from being a renouned black stand-up comic to a crossover star whose cinema strech center America and now a rest of a world.

Tika Sumpter in emRide Along/em.

Tika Sumpter in Ride Along.

Hart creates nods to secular differences – “you’re white, we don’t fight!” he lectures dual scrapping teenagers – though mostly Ride Along unfolds in a compress African-American universe where a white faces get predicted ancillary roles as unessential partners or snarling villains. (Serbians, it would appear, are a new South Africans.)

Discussions of competition in American renouned enlightenment has migrated to hip-hop, that is where Ice Cube got his start. The one-time N.W.A. member, whose lyrics were a brew of a agitator and a nihilistic, here plays a impression he once would have derided. His anti-authoritarian credit has somehow translated into a career personification management total who hook a rules, as James does when he sets Ben adult to destroy with uncontrolled children and out-of-control adults.

Director Tim Story done a span of comic-book cinema – 2005’s Fantastic Four and 2007’s Fantastic Four: Rise of a Silver Surfer – so prosaic that a array is already being rebooted, though he’s on firmer belligerent when he pits Hart opposite Cube. It’s a given that their antics make doubtful swell in James’ bid to locate a Keyser Soze-like crime trainer named Omar, though what’s comical is how Hart’s ricocheting appetite runs adult opposite Cube’s exasperation.

The many engaging thought a film has is display how group onslaught to infer themselves to any other. Ben is an recurrent actor of first-person shooter video games, since a day on a pursuit for James turns into an tangible shootout. Hart isn’t fearful to uncover Ben overcompensates for his miss of knowledge by observant and doing comically inapt things. His funniest pieces aren’t lines, though rather panicked squeals.

The origin of incompatible friend flicks stretches behind many decades, holding in all from a strange Lethal Weapon by to Clint Eastwood’s Dirty Harry being partnered with a lady in 1976’s The Enforcer. At times a energetic reaches astonishing heights – as when Charles Grodin’s accountant gathering Robert De Niro’s annuity hunter to waggish heights of ire in 1988’s Midnight Run – though Ride Along simply doesn’t possess that turn of invention.

Any film where a heroes arrive during a room as a bad guys are endeavour an bootleg transaction isn’t perplexing too hard, though all that is predicted in this film is merely partial of a backdrop. What’s in a forehead is Kevin Hart’s boyish desires and Ice Cube’s plain-spoken response. They’re a Fred Astaire and Ginger Rogers of bickering.


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source ⦿ http://www.smh.com.au/entertainment/movies/ride-along-review-fraction-of-friction-20140321-356h5.html

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› tags: 2014 / Action / Angela Kerecz / Comedy / Greg Coolidge / Ice Cube / Jason Mantzoukas / Kevin Hart / Matt Manfredi / Phil Hay / Ride Along / Tika Sumpter / Tim Story /