Film review: Ride Along is complicated on tract and light on laughs – C

January 24, 2014 - box office

The friend patrolman film is a informed trope with many variations. You could have a patrolman and a limb (48 Hrs.); dual cops and a fish-out-of-water patrolman (Beverly Hills Cop); a straight-and-narrow patrolman and a by-the-book patrolman (Lethal Weapon); a villain-is-the-sidekick-in-spirit wisecrack (Die Hard); and a send-up/homage crack (Hot Fuzz).

What do a initial 4 cinema in a above divide have in common? Answer: They were all done in a 1980s when a friend patrolman design was a new-ish (or during slightest reasonably remodeled) kind of blockbuster. These days, if we do a patrolman movie, it had improved have some newness (Kiss Kiss Bang Bang, that was original, fun, and no one saw it), or it had improved star Sandra Bullock and Melissa McCarthy (The Heat).

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Whatever a approach, chances are improved than normal that a ensuing patrolman film will be worse than average. Enter Ride Along, a comedy that has, in 100 minutes, 3 plain laughs. That’s a woefully shitty batting average. How does a film starring Kevin Hart (arguably one of a best stand-up comedians operative today) and Ice Cube (an actor who, for all his limitations, knows how to be funny) tumble brief during each turn? Weak script, neutral pacing, lifeless cinematography, cliché-filled story.

And only to turn things out, how many times will we ask a doubt only so we might answer it? Three.

Story-wise, it’s a sore turn on a customary set-up. Cube (he has a impression name, though it’s only Ice Cube doing his thing) is a radical patrolman and Ben (Hart) is about to introduce to Cube’s sister, Angela (Tika Sumpter). Ben was only supposed into a military academy though Cube hates him. See, apparently Ben set Cube on glow during a barbecue.

So in sequence to get Cube’s blessing for Ben’s arriving offer to Angela, Ben accompanies Cube on a ride-along to infer himself. Thankfully, a superannuated gesticulate proves to be only a gesticulate when Ben says he’s marrying Angela, blessing or not. But I’m removing forward of myself.

There’s a surprisingly complicated volume of tract in Ride Along, and a film creates a mistake of adhering to a story instead of vouchsafing dual fun actors be fun. All a comedy—“comedy” used advisedly—involves Hart fast rising lots of discourse that isn’t remotely comedic, though it happens so fast it might pretence we into desiring it’s a larf-fest.

Then there’s Cube, who’s left to play a true man. It’s something he does good (see: Friday), though when he’s operative with a unintended anti-humor of Ride Along’s book and miscalculated ad-libbing, he only looks pissed off, that is kind of his resting state anyway.

About those 3 laughs: One of them involves Hart’s height. If there’s one thing we can count on here, it’s lots of gags about Hart’s wee-ness. You know, since being brief is humorous or something.

But maybe if a assembly treats Ride Along as a spot-the-creaky-story-points practice and ignores a mortified references to Cube’s music, it could still be fun. Count all a clichés in a script, follow a story beats, and see if we can figure out what’s going on before a characters do. You’ll solve things before Cube and Ben, for sure.

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source ⦿ http://www.c-ville.com/film-review-ride-along-is-heavy-on-plot-and-light-on-laughs/

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› tags: 2014 / Action / Angela Kerecz / Comedy / Greg Coolidge / Ice Cube / Jason Mantzoukas / Kevin Hart / Matt Manfredi / Phil Hay / Ride Along / Tika Sumpter / Tim Story /